4 Essays On Art And Literature In Islam par

De la figuration humaine au portrait dans l’art islamique
par

Ce livre présente une étude historique et culturel sur l’art figuration humaine et le portrait dans un contexte islamique médiéval basé sur des sources littéraires et iconographiques. Avec: Sheila Blair; Éloïse Brac de la Perrière; Oleg Grabar; Kata Keresztely; Mika Natif; Yves Porter; Houari Touati This book presents an art historical and cultural study of human figuration and portraiture in a medieval islamic context, based on literary and iconographic sources. With contributions by: Sheila Blair; Éloïse Brac de la Perrière; Oleg Grabar; Kata Keresztely; Mika Natif; Yves Porter; Houari Touati

Aux origines du classicisme
par Nourane Ben Azzouna

Ce livre offre une nouvelle lecture de la question de la maturation de la calligraphie et des arts du livre arabo-persan vers des formes et des statuts qui deviendront classiques à partir de la période ilkhanide et djalayiride.

This book proposes a new reading of the question of the maturation of calligraphy and the arts of the book in Arabic and Persian towards forms and statuses that will become classical from the Ilkhanid and Djalayirid period.


Journal asiatique
par

Ser. 6, v. 11, 14 and 18; ser. 7, v. 1 and 9, ser. 7, v. 16 and 19, ser. 8, v. 5, 9, 13 and 17 include “Bibliographie ottomane. Notice des livres turcs arabes et persans imprimés à Constantinople durant le période 1281-1307 de l’Hégire” (title varies slightly)

Early Islamic Art, 650-1100
par Oleg Grabar

Early Islamic Art, 650-1100 is the first in a set of four volumes of studies by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century. Each volume takes a particular section of the topic, the three subsequent volumes being entitled: Islamic Visual Culture, 1100-1800; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar’s attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar’s scholarship developed and the people who directed and mentored his efforts. The present volume concentrates primarily on documents provided by archaeology understood in its widest sense, and including the study of texts with reference to monuments or to the contexts of these monuments. The articles included represent major contributions to the understanding of the formative centuries of Islamic art, focusing on the Umayyad (661-750) and Fatimid (969-1171) dynasties in Greater Syria and in Egypt, and on the Mediterranean or Iranian antecedents of early Islamic art. Historical, cultural, and religious themes, including the role of court ceremonies, the growth of cities, and the importance of the Qur’an, are introduced to help explain how a new art was formed in the central lands of the Near East and how its language can be retrieved from visual or written sources.

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